
Saints Anna Selbdritt, Barbara and Katharina
at Gemäldegalerie Berlin
German1450–1500
Master of the Housebook and Master of the Amsterdam Cabinet are two names used for an engraver and painter working in South Germany in the last quarter of the 15th century. He is apparently the first artist to use drypoint, a form of engraving, for all of his prints. The first name derives from his book of drawings with watercolour, called the Medieval Housebook, which belonged to the German noble family of Waldburg-Wolfegg from the 17th century until 2008, when they were reported to have sold it for €20 million to a Swiss buyer; however, the legality of its sale for export has been challenged and, for the moment, it remains with the family. In 1999, the book was lent to the National Gallery of Art in Washington, D.C., for an exhibition. The majority of his surviving prints are in the print room at the Rijksmuseum in Amsterdam, hence his second name. Most, but not all, art historians still agree that the Housebook and the prints are by the same artist.

Saints Anna Selbdritt, Barbara and Katharina
at Gemäldegalerie Berlin

The Last Supper
at Gemäldegalerie Berlin

Wild Man on a Unicorn
at Rijksmuseum

Passion Retable: The Resurrection
at Städel Museum

Two Peasants Fighting
at National Gallery of Art
5 works

Saints Anna Selbdritt, Barbara and Katharina
at Gemäldegalerie Berlin

The Last Supper
at Gemäldegalerie Berlin

Wild Man on a Unicorn
at Rijksmuseum

Passion Retable: The Resurrection
at Städel Museum

Two Peasants Fighting
at National Gallery of Art

Gemäldegalerie Berlin
Bezirk Mitte, Germany

Städel Museum
Frankfurt, Germany

Rijksmuseum
Amsterdam, Netherlands
National Gallery of Art
Washington, D.C., United States